Bitter old limey

A very famous pianist once said to me of an incredibly famous singer “The trouble with Incredibly Famous-Singer is that she actually believes her own publicity.”

A man from North Carolina recently bought a copy of my book Who’s My Bottom? and it caused him great offence. He said so on the online opera forum he runs. That’s his prerogative. After all he paid good money for it and he can say what he likes. I’d give him back the one dollar I earned from his purchase if it would calm his rage.

A ball and cock story

A few days ago my cold water tank started overflowing at a steady trickle. So I emptied the loft cupboard of all the old tennis racquets, puzzles and bits of wood and carpet that I have bunged in there in case they might one day be useful, and I climbed inside on my hands and knees to have a look at the tank. I checked the ballcock and adjusted it a bit but couldn’t find any problem. Thinking that as I couldn’t find any problem there mustn’t actually be one, and that somehow the mere act of climbing into a cramped cupboard and fiddling about with a ballcock might suffice to make the non-problem go away, I gave up and did what all good DIY-ers do: just hoped it wouldn’t happen again. Much to my surprise the overflow trickle seemed to have stopped so I must have done something right and I felt suitably smug.

Pole dance

In the early 90s I was working at the Vlaamse Opera, based in Antwerp, singing Pisandro, one of the three suitors in Il Ritorno d’Ulisse in Patria by Monteverdi. I can’t remember who the counter-tenor was. The first one was fired after three weeks of rehearsals. I can remember that. And as for his replacement, all I can recall is that he was busy doing something else at the same time, so for a few of the main rehearsals on stage there were just two suitors, which is quite a problem when you’re trying to sing lots and lots of trios.
I have absolutely no idea who directed it – a German I think, or was he Greek? – or who conducted. Not a clue.