Alfie Boe is a very nice guy. We did A Midsummer Night’s Dream together at ENO about seven years ago when he was Lysander and I did my usual Flute. He even asked me if I could give him some advice about a section which sits in an awkward part of the passaggio, the area where the voice “turns” into the higher register. I can’t remember what I told him but he sorted it out. He acted well too, quite happily playing the buffoon.
A couple of years later we met in the green room at Television Centre. We were both on BBC Breakfast News, he to promote his first solo album and I because there had been a lot of media interest in a project I’d done, photographing everything I ate for a year and displaying the photos as a collage. It was a slow news day in the Silly Season. I was introduced as an Artist and he as a Tenor. It was quite strange because, at the time, of the two of us I guess I was the one with more of a track record in the Tenor department, though in a very different area of singing. That’s television for you. Not that I cared very much. I was just so confused and flattered at being described as an Artist. Alfie had two minders with him from the record company’s PR department. I was on my tod. …
Read More
The economy option
Two days ago I shared a photo of my hotel room in Berlin on Facebook. It’s a small room, about 8′ wide, with a single bed, a desk, an armchair, a sink and a cupboard. And a small welcome pack of gumi bears on the pillow.
I posted the photo asking friends to hazard a guess as to who was paying for my hotel expenses; me or the promoter of the concert. Plenty of people cracked jokes about the size of the room (and the gumi bears) but no-one actually took the plunge and guessed. Or if they did, they didn’t say so.
It isn’t the easiest call to make. Some promoters are more generous than others and in these straitened times the five-star treatment on concert trips is less likely. But I’ll come clean. I booked the room. …
Read More